Adults

NATIONAL BESTSELLER • The dramatic, untold history of the heroic women recruited by Britain’s elite spy agency to help pave the way for Allied victory in World War II

“Gripping. Spies, romance, Gestapo thugs, blown-up trains, courage, and treachery (lots of treachery)—and all of it true.”—Erik Larson, author of The Devil in the White City and Dead Wake 

In 1942, the Allies were losing, Germany seemed unstoppable, and every able man in England was on the front lines. To “set Europe ablaze,” in the words of Winston Churchill, the Special Operations Executive  (SOE), whose spies were trained in everything from demolition to sharpshooting, was forced to do something unprecedented: recruit women. Thirty-nine answered the call, leaving their lives and families to become saboteurs in France. 

In D-Day Girls, Sarah Rose draws on recently de­classified files, diaries, and oral histories to tell the thrilling story of three of these remarkable women. There’s Andrée Borrel, a scrappy and streetwise Parisian who blew up power lines with the Gestapo hot on her heels; Odette Sansom, an unhappily married suburban mother who saw the SOE as her ticket out of domestic life and into a meaningful adventure; and Lise de Baissac, a fiercely independent member of French colonial high society and the SOE’s unflap­pable “queen.” Together, they destroyed train lines, ambushed Nazis, plotted prison breaks, and gathered crucial intelligence—laying the groundwork for the D-Day invasion that proved to be the turning point in the war.

Rigorously researched and written with razor-sharp wit, D-Day Girls is an inspiring story for our own moment of resistance: a reminder of what courage—and the energy of politically animated women—can accomplish when the stakes seem incalculably high.

Praise for D-Day Girls

“Rigorously researched . . . [a] thriller in the form of a non-fiction book.”—Refinery29

“Equal parts espionage-romance thriller and historical narrative, D-Day Girls traces the lives and secret activities of the 39 women who answered the call to infiltrate France. . . . While chronicling the James Bond-worthy missions and love affairs of these women, Rose vividly captures the broken landscape of war.”—The Washington Post

“Gripping history . . . thoroughly researched and written as smoothly as a good thriller, this is a mesmerizing story of creativity, perseverance, and astonishing heroism.”—Publishers Weekly (starred review)

A bursting-with-personality cookbook from Sister Pie, the boutique bakery that's making Detroit more delicious every day.

“Everything you want in a pie cookbook: careful directions, baker’s secret tips, inspired combinations, and a you-can-do-it attitude.”—Chicago Tribune

IACP AWARD FINALIST • NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY THE NEW YORK TIMES AND CHICAGO TRIBUNE

At Sister Pie, Lisa Ludwinski and her band of sister bakers are helping make Detroit sweeter one slice at a time from a little corner pie shop in a former beauty salon on the city’s east side. The granddaughter of two Detroit natives, Ludwinski spends her days singing, dancing, and serving up a brand of pie love that has charmed critics and drawn the curious from far and wide. No one leaves without a slice—those who don’t have money in their pockets can simply cash in a prepaid slice from the “pie it forward” clothesline strung across the window. With 75 of her most-loved recipes for sweet and savory pies—such as Toasted Marshmallow-Butterscotch Pie and Sour Cherry-Bourbon Pie—and other bakeshop favorites, the Sister Pie cookbook pays homage to Motor City ingenuity and all-American spirit. Illustrated throughout with 75 drool-worthy photos and Ludwinski’s charming line illustrations, and infused with her plucky, punny style, bakers and bakery lovers won’t be able to resist this book.

In her short lifetime, Flannery O'Connor became one of the most distinctive American writers of the twentieth century. By birth a native of Georgia and a Roman Catholic, O'Connor depicts, in all its comic and horrendous incongruity, the limits of worldly wisdom and the mysteries of divine grace in the "Christ-haunted" Protestant South. This Library of America collection, the most comprehensive ever published, contains all of her novels and short-story collections, as well as nine other stories, eight of her most important essays, and a selection of 259 witty, spirited, and revealing letters, twenty-one published here for the first time.

Her fiction brilliantly explores the human obsession with seemingly banal things. It might be a new hat or clean hogs or, for Hazel Motes, hero of Wise Blood (1952), an automobile. "Nobody with a good car needs to be justified," Hazel assures himself while using its hood for a pulpit to preach his "Church Without Christ." As in O'Connor's subsequent work, the characters in this novel are driven to violence, even murder, and their strong vernacular endows them with the discomforting reality of next-door neighbors. "In order to recognize a freak," she remarks in one of her essays, "you have to have a conception of the whole man."

In the title story of her first, dazzling collection of stories, A Good Man Is Hard to Find (1955), the old grandmother discovers the comic irrelevance of good manners when she and her family meet up with the sinister Misfit, who claims there is "no pleasure but meanness." The terror of urban dislocation in "The Artificial Nigger," the bizarre baptism in "The River," or one-legged Hulga Hopewell's encounter with a Bible salesman in "Good Country People"--these startling events give readers the uneasy sense of mysteries about to be revealed.

Her second novel, The Violent Bear It Away (1960), casts the shadow of the Old Testament across a landscape of backwoods shacks, modern towns, and empty highways. Caught between the prophetic fury of his great-uncle and the unrelenting rationalism of his uncle, fourteen-year-old Francis Tarwater undergoes a terrifying trial of faith when he is commanded to baptize his idiot cousin.

The nine stories in Everything That Rises Must Converge (1965) show O'Connor's powers at their height. The title story is a terrifying, heart-rending drama of familial and racial misunderstanding. "Revelation" and "The Enduring Chill" probe further into conflicts between parental figures and recalcitrant offspring, where as much tension is generated from quiet conversation as from the physical violence of gangsters and fanatics.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Lucy Stone has just one wee problem that not even the luck of the Irish can fix--murder!

The early Irish legends encapsulate all that is most magical and mysterious in Celtic culture. Throughout the narrative there is background information on many aspects of ancient Irish culture and life.

Patricia Campbell's life has never felt smaller. Her ambitious husband is too busy to give her a good-bye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they're as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip. This predictable pattern is upended when Patricia meets James Harris, a handsome stranger who moves into the neighborhood to take care of his elderly aunt and ends up joining the book club. James is sensitive and well-read, and he makes Patricia feel things she hasn't felt in twenty years. But there's something off about him. He doesn't have a bank account, he doesn't like going out during the day, and Patricia's mother-in-law insists that she knew him when she was a girl-an impossibility. When local children go missing, Patricia and the book club members start to suspect James is more of a Bundy than a Beatnik-but no one outside of the book club believes them. Have they read too many true crime books, or have they invited a real monster into their homes?

A New York Times Bestseller
A USA Today Bestseller
September IndieNext Pick

A new door opens...

Once there were four worlds, nestled like pages in a book, each pulsing with fantastical power and connected by a single city: London. 

After a desperate attempt to prevent corruption and ruin in the four Londons, there are only three:
● Grey London, thriving but barely able to remember its magical heritage
● Red London, ruled lately by the Maresh family, flourishing and powerful
● White London, left to brutality and decay

Now the worlds are going to collide anew—brought to a dangerous precipice by the discoveries of three remarkable magicians. 

There's Kosika, the child queen of White London, who has nourished her city on blood and dreams—and whose growing devotion to both is leading her down a dangerous path. 

Then there's Delilah Bard, born a thief in Grey London, who crossed the worlds to become a legend far from there. She's an infamous magician, a devious heroine, and a risk-taking rogue, all rolled into one unforgettable package. Having disappeared to seek new adventure, an old favor now calls Lila back to a dangerous port, to join some old friends who need more help than they realize. 

Last there is Tes, a young runaway with an unusual and powerful ability, hiding out in Red London while trying to stay out of the limelight. 

Tes is the only one who can keep all the worlds from unraveling—if she manages to stay alive first. 

From #1 New York Times bestselling author V. E. Schwab comes a new adventure set in a beloved world—where old friends and foes alike are faced with a dangerous new threat.

PopSugar, This Year's Best New Fantasy
Paste Magazine, Most Anticipated Fantasy Books of Fall 
The Washington Post, 10 Noteworthy Books for September
Goodreads, Readers’ Most Anticipated Books of Fall
Polygon, Best New SFF for the Fall
EW.com, Fall Book Must-Reads

NEW YORK TIMES BESTSELLER • WOMEN'S PRIZE FOR NON-FICTION FINALIST • THE REAL ORIGIN OF OUR SPECIES: a myth-busting, eye-opening landmark account of how humans evolved, offering a paradigm shift in our thinking about what the female body is, how it came to be, and how this evolution still shapes all our lives today
 
“A page-turning whistle-stop tour of mammalian development that begins in the Jurassic Era, Eve recasts the traditional story of evolutionary biology by placing women at its center…. The book is engaging, playful, erudite, discursive and rich with detail." 
—Sarah Lyall, The New York Times

“A smart, funny, scientific deep-dive into the power of a woman’s body, Eve surprises, educates, and emboldens.”
—Bonnie Garmus, #1 New York Times best-selling author of Lessons in Chemistry
 
How did the female body drive 200 million years of human evolution? • Why do women live longer than men? • Why are women more likely to get Alzheimer’s? • Why do girls score better at every academic subject than boys until puberty, when suddenly their scores plummet? • Is sexism useful for evolution? • And why, seriously why, do women have to sweat through our sheets every night when we hit menopause?
 
These questions are producing some truly exciting science – and in Eve, with boundless curiosity and sharp wit, Cat Bohannon covers the past 200 million years to explain the specific science behind the development of the female sex: “We need a kind of user's manual for the female mammal. A no-nonsense, hard-hitting, seriously researched (but readable) account of what we are. How female bodies evolved, how they work, what it really means to biologically be a woman. Something that would rewrite the story of womanhood. This book is that story. We have to put the female body in the picture. If we don't, it's not just feminism that's compromised. Modern medicine, neurobiology, paleoanthropology, even evolutionary biology all take a hit when we ignore the fact that half of us have breasts. So it's time we talk about breasts. Breasts, and blood, and fat, and vaginas, and wombs—all of it. How they came to be and how we live with them now, no matter how weird or hilarious the truth is.”
 
Eve is not only a sweeping revision of human history, it’s an urgent and necessary corrective for a world that has focused primarily on the male body for far too long. Picking up where Sapiens left off, Eve will completely change what you think you know about evolution and why Homo sapiens has become such a successful and dominant species.

AN INSTANT NEW YORK TIMES BESTSELLER 
THE WASHINGTON POST NOTABLE BOOK OF 2021
A GOOD MORNING AMERICA BOOK CLUB PICK 

WINNER of the Isabel Allende Most Inspirational Fiction Award - International Latino Book Awards • WINNER of 
Best Literary Fiction - She Reads Best of 2021 Awards • FINALIST for the 2022 Southern Book Prize • LONGLISTED for Crook’s Corner Book Prize • NOMINEE for 2021 Goodreads Choice Award in Debut Novel and Historical Fiction

A sweeping, masterful debut about a daughter's fateful choice, a mother motivated by her own past, and a family legacy that begins in Cuba before either of them were born

In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.

From 19th-century cigar factories to present-day detention centers, from Cuba to Mexico, Gabriela Garcia's Of Women and Salt is a kaleidoscopic portrait of betrayals—personal and political, self-inflicted and those done by others—that have shaped the lives of these extraordinary women. A haunting meditation on the choices of mothers, the legacy of the memories they carry, and the tenacity of women who choose to tell their stories despite those who wish to silence them, this is more than a diaspora story; it is a story of America’s most tangled, honest, human roots.

Now here's a volume you can really drink to! 

Something's brewing in these pages, and it's moonshine--a word that evokes fascination, curiosity, and a warm sense of nostalgia. Never before has there been such a richly illustrated, thorough, and entertaining celebration of the history of making fine distilled spirits. Take a trip through moonshining's past: travel from its beginnings as a pioneer staple to the dark days of prohibition, from quickly produced urban rotgut to today's carefully handcrafted artisanal libations. Get in on the fun with how-to instructions that take into account all legal regulations and requirements before covering ingredients, building a still, basic distilling techniques, and dozens of recipes, all adapted for the beginner. Whiskies, brandies, grappa, schnapps: they're all here, along with dozens of page-turning quotes, song lyrics, and vintage photographs and illustrations.

"Making whisky or brandy is not the least bit difficult. Making something you'd want to drink...well, that may take some practice." --Matthew B. Rowley

Finalist for the National Book Award

Longlisted for a Carnegie Medal for Excellence

Winner of the Southwest Book Award

A Best Book of the Year: Washington Post, Esquire, Time, The Atlantic, NPR, and Publishers Weekly

An Oprah Daily "Best New Book" and "Riveting Nonfiction and Memoir You Need to Read" * A New York Times "New Book to Read" * A Zibby Mag "Most Anticipated Book" * A San Francisco Chronicle "New Book to Cozy Up With" * The Millions "Most Anticipated" *An Amazon Editors "Best Book of the Month" * A Parade "Best New Work By Indigenous Writers" * An NPR "Book We Love"

"We have more Native stories now, but we have not heard one like this. Whiskey Tender is unexpected and propulsive, indeed tender, but also bold, and beautifully told, like a drink you didn't know you were thirsty for. This book, never anything less than mesmerizing, is full of family stories and vital Native history. It pulses and it aches, and it lifts, consistently. It threads together so much truth by the time we are done, what has been woven together equals a kind of completeness from brokenness, and a hope from knowing love and loss and love again by naming it so." -- Tommy Orange, National Bestselling Author of There There

Reminiscent of the works of Mary Karr and Terese Marie Mailhot, a memoir of family and survival, coming-of-age on and off the reservation, and of the frictions between mainstream American culture and Native inheritance; assimilation and reverence for tradition.

Deborah Jackson Taffa was raised to believe that some sacrifices were necessary to achieve a better life. Her grandparents--citizens of the Quechan Nation and Laguna Pueblo tribe--were sent to Indian boarding schools run by white missionaries, while her parents were encouraged to take part in governmental job training off the reservation. Assimilation meant relocation, but as Taffa matured into adulthood, she began to question the promise handed down by her elders and by American society: that if she gave up her culture, her land, and her traditions, she would not only be accepted, but would be able to achieve the "American Dream."

Whiskey Tender traces how a mixed tribe native girl--born on the California Yuma reservation and raised in Navajo territory in New Mexico--comes to her own interpretation of identity, despite her parent's desires for her to transcend the class and "Indian" status of her birth through education, and despite the Quechan tribe's particular traditions and beliefs regarding oral and recorded histories. Taffa's childhood memories unspool into meditations on tribal identity, the rampant criminalization of Native men, governmental assimilation policies, the Red Power movement, and the negotiation between belonging and resisting systemic oppression. Pan-Indian, as well as specific tribal histories and myths, blend with stories of a 1970s and 1980s childhood spent on and off the reservation.

Taffa offers a sharp and thought-provoking historical analysis laced with humor and heart. As she reflects on her past and present--the promise of assimilation and the many betrayals her family has suffered, both personal and historical; trauma passed down through generations--she reminds us of how the cultural narratives of her ancestors have been excluded from the central mythologies and structures of the "melting pot" of America, revealing all that is sacrificed for the promise of acceptance.

A rousing history of Ireland in its most tumultous century by one of the most well-known and beloved Irish writers of our time. 
Tim Pat Coogan's Ireland in the Twentieth Century will be a must-read for his legion of fans and anyone interested in Ireland's path through the twentieth century. Encompassing the violent and bloody days of the early twentieth century and peopled with such characters as Michael Collins, Eamon DeValera and James Joyce, this promises to be one of the most popular histories of Ireland yet written. Bringing the story up to the present day, Ireland in the Twentieth Century will become, like Coogan's The IRA and The Troubles, standard bearers in the canon of Irish history.
 

Ireland was England's oldest colony. Making Empire revisits the history of empire in Ireland--in a time of Brexit, 'the culture wars', and the campaigns around 'Black Lives Matter' and 'Statues must fall'--to better understand how it has formed the present, and how it might shape the future.

Empire and imperial frameworks, policies, practices, and cultures have shaped the history of the world for the last two millennia. It is nation states that are the blip on the historical horizon. Making Empire re-examines empire as process--and Ireland's role in it--through the lens of early modernity. It covers the two hundred years, between the mid-sixteenth century and the mid-eighteenth century, that equate roughly to the timespan of the First English Empire (c.1550-c.1770s).

Ireland was England's oldest colony. How then did the English empire actually function in early modern Ireland and how did this change over time? What did access to European empires mean for people living in Ireland? This book answers these questions by interrogating four interconnected themes. First, that Ireland formed an integral part of the English imperial system, Second, that the Irish operated as agents of empire(s). Third, Ireland served as laboratory in and for the English empire. Finally, it examines the impact that empire(s) had on people living in early modern Ireland. Even though the book's focus will be on Ireland and the English empire, the Irish were trans-imperial and engaged with all of the early modern imperial powers. It is therefore critical, where possible and appropriate, to look to other European and global empires for meaningful comparisons and connections in this era of expansionism.

What becomes clear is that colonisation was not a single occurrence but an iterative and durable process that impacted different parts of Ireland at different times and in different ways. That imperialism was about the exercise of power, violence, coercion and expropriation. Strategies about how best to turn conquest into profit, to mobilise and control Ireland's natural resources, especially land and labour, varied but the reality of everyday life did not change and provoked a wide variety of responses ranging from acceptance and assimilation to resistance.

This book, based on the 2021 James Ford Lectures, Oxford University, suggests that the moment has come revisit the history of empire, if only to better understand how it has formed the present, and how this might shape the future.

GOOD MORNING AMERICA BOOK CLUB PICK • “A twisty tale of murder and love gone wrong, rife with bone-chilling revelations . . . This is a riveting debut, and Disha Bose is a writer to watch.”—Joshilyn Jackson, New York Times bestselling author of Mother May I

A BEST BOOK OF THE YEAR: Elle, Harper’s Bazaar, CrimeReads

She was the perfect wife, with the perfect life. You would kill to have it.

Ciara Dunphy has it all—a loving husband, well-behaved children, and a beautiful home. Her circle of friends in their small Irish village go to her for tips about mothering, style, and influencer success—a picture-perfect life is easy money on Instagram. But behind the filters, reality is less polished.

Enter Mishti Guha: Ciara’s best friend. Ciara welcomed Mishti into her inner circle for being . . . unlike the other mothers in the group. Discontent in a marriage arranged for her by her parents back in Calcutta, Mishti now raises her young daughter in a country that is too cold, among children who look nothing like her. She wants what Ciara has—the ease with which she moves through the world—and, in that sense, Mishti might be exactly like the other mothers.

And there’s earth mother Lauren Doyle: born, bred, and the butt of jokes in their village. With her disheveled partner and children who run naked in the yard, they’re mostly a happy lot, though ostracized for being the singular dysfunction in Ciara’s immaculate world. When Lauren finds an unlikely ally in Mishti, she decides that her days of ridicule are over.

Then Ciara is found murdered in her own pristine home, and the house of cards she’d worked so hard to build comes crumbling down. Everyone seems to have something to gain from Ciara’s death, so if they don’t want the blame, it may be the perfect time to air their enemies’ dirty laundry.

In this dazzling debut novel, Disha Bose revolutionizes age-old ideas of love and deceit. What ensues is the delicious unspooling of a group of women desperate to preserve themselves.

“A bold, beautiful, complex novel, and I can’t wait to read what Hughes writes next. She, too, is an unstoppable force.” —New York Times Book Review

“A tale about sisterhood, a novel of ideas, a chronicle of our collective follies, a requiem for our agonizing species, The Alternatives unfolds in a prose full of gorgeous surprises and glows with intelligence, compassion, and beauty.”  —Hernan Diaz

From the writer Anthony Doerr calls “a massive talent,” the story of four brilliant Irish sisters, orphaned in childhood, who scramble to reconnect when the oldest disappears into the Irish countryside

The Flattery sisters were plunged prematurely into adulthood when their parents died in tragic circumstances. Now in their thirties—all single, all with PhDs—they are each attempting to do meaningful work in a rapidly foundering world. The four lead disparate, distanced lives, from classrooms in Connecticut to ritzy catering gigs in London’s Notting Hill, until one day their oldest sister, a geologist haunted by a terrible awareness of the earth’s future, abruptly vanishes from her work and home. Together for the first time in years, the Flatterys descend on the Irish countryside in search of a sister who doesn’t want to be found. Sheltered in a derelict bungalow, they reach into their common past, confronting both old wounds and a desperately uncertain future. Warm, fiercely witty, and unexpectedly hopeful, The Alternatives is an unforgettable portrait of a family perched on our collective precipice, told by one of Ireland’s most gifted storytellers.